Co-creation of New Materials Science between Switzerland and China

By Percy Chen, Junior Project Manager Art-Science

On May 12, 2020, we hosted our first Art x Science Dialogues webinar titled Design x Materials Science. Two renowned experts Ms. Gabriele Dobenecker, Head Fundraising, Entrepreneurship & Industry Relations at Empa, and Ms. Lyla Wu, Founder at Shanghai Neuni Group, not only illustrated for us the research and design processes behind the scenes, but also engaged in an exciting dialogue on design education and new material applications.

We trust that everyone has acquired informative insights on the topic. Due to the time constraint, we could only present a limited number of questions. If you have further questions for our speakers regarding design and materials science, please email us at artscience@swissnexchina.org. We will try our best to forward them to the speakers.

The webinar recording is available to view and download here.

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Before we dive deep into the event content, we would like to share a quick introduction of Art x Science Dialogues: a new webinar series initiated by swissnex China in 2020,  Art x Science Dialogues will take place once per month from May to August via Zoom, covering topics of Design x Materials Science, Sonic art x Neuroscience, Photography x Environmental Ecology, and New interdisciplinary Initiatives.

Given that the local art and science scene is still in its infancy, our end goal is to showcase several long-term growth trajectories by presenting the Swiss models, stimulate ideas through cross-border dialogues, and inspire more collaborations in this exciting field. Along the way, we also have two overarching questions that we attempt to answer, namely what is art-science and its position in different societies? We already know that art-science is not merely about using technological means to make and present art. Join us on the journey to explore what art-science could actually mean.

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Here are some key event takeaways that we would like to share with you.

From Ms. Gabriele Dobenecker’s speech (starts at 4:55 in the recording):

  • Empa is an interdisciplinary research institute of the ETH Domain. Empa, the Swiss Federal Laboratories for Materials Science and Technology, conducts cutting-edge materials and technology research. Empa’s R&D activities focus on meeting the requirements of industry and the needs of society, and thus link applications-oriented research to the practical implementation of new ideas.

  • The five main research focus areas currently are Energy, health & Performance, Resources & Pollutants, Sustainable Built Environment, and Nano-Structured Materials.

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  • Functional material properties are closely linked to their structure and specific manufacturing processes.

  • The smaller the structure a material has, the more important the architecture (interface) is.

  • Today nano-structured materials have the most success with improved, novel properties. More importantly, they open up possibilities and processes that are based on computational methods, pushing the limits of cutting-edge physics.

  • DEFAB House is the world’s first residential building that has not only been digitally planned, but also been built predominantly using robots and 3D printers.

  • The smart slab ceiling optimizes load to maximize stability and minimize material used.

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  • A meta-material is any material engineered to have properties that are not found in naturally occurring materials.

  • As a synthetic meta-material, phononic crystals use internal rotation to tone down sound wave frequency, making conversation incomprehensible for people on the other side of the wall.

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  • Using specific enzymes, Empa was also able to improve and apply natural materials to novel fields, such as Nanocellulose ears from 3D printing and improved acoustic Mycowood violins.

  • Physical properties are different at atomic level. Thus, designing Nano-structured materials requires extreme precision.

  • For some years now, Graphene has been considered the material for the future. It has possible application in Quantum computing, the currently holy grail of computer science.

  • At this level, the form of the molecules, namely how molecules are arranged, becomes the determining factor for material properties.

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From Ms. Lyla Wu’s speech (25:50):

  • Neuni Design Group was founded in Shanghai in 2015. The core business integrates the use of cutting-edge knowledge in interdisciplinary design, new materials applications, and digital fabrication.

  • 4D printing technology that uses time as the fourth dimension: composite polymer uses water absorbing agent. When the material touches water, it transforms overtime.

  • Neuni not only brings new materials to China, but also focuses on technology integration – Some examples: Neuni was responsible for the creation of Shanghai landscape wall along the Bund; It collaborated with automobile industry to create wooden interiors using recycled newspaper; it also represented a novel bag company that uses banana fiber as the main ingredient.

  • Furthermore, Neuni has a number of university collaboration and community projects. It has sponsored international students to work with factories in China; Working with Nestlé, Neuni has recycled coffee grounds into 3D printed products, such as tea pots and tables.

  • The traditional design process involves coming up with an idea, prototype, and move into mass production. However, due to the gap between the majority of designers and material producers, many ideas are stopped short due to a lack of tools and knowledge of manufacturing and/or a lack of material and technology.

  • Lyla also advocates for a fundamental shift to the consumer mindset. For example, currently all unsold Burberry products are destroyed, wasting tons of resources in design, manufacturing processes as well as natural resources.

From the discussion (44:00):

  • Q: How is a new material invented? What is a typical research process?

  • Gabriele Dobenecker: There are normally two starting points. With the knowledge of the properties a material can have, material designers can enhance or derive existing or new properties. Another way comes with serendipity. Many times, material designers will develop something with certain application in mind and find out there are other unexpected applications.

  • Q: Are there any requests from designers for a certain type of material?

  • Lyla Wu: There is a lot. Almost every designer nowadays is trained from computer and very few specialize in material. Their knowledge about material is thus quite general. Neuni gets thousands of requests from designers almost daily.

  • G: In Switzerland, people are quite well connected due to a smaller population. Research universities and design institutions are collaborating often. Yet, material is such a broad field so more effort is still needed to bridge the gap.

Other topics from the discussion involved sustainability and design education in Switzerland. Furthermore, coming from their decades of experience in the design and new materials industry, Ms. Gabriele Dobenecker and Ms. Lyla Wu exchanged their opinions on the current geopolitical conditions influencing new material co-creation in China and Switzerland.

In the end, we would like to express our great appreciation to Ms. Gabriele Dobenecker and Ms. Lyla Wu for sharing their valuable expert insights. We would also like to thank our community for your great engagement as always! Please stay tuned for our next event

From top left to bottom: Lyla Wu (Neuni Group, speaker), Cissy Yiwen Sun (swissnex China), and Gabriele Dobenecker (Empa, speaker)

From top left to bottom: Lyla Wu (Neuni Group, speaker), Cissy Yiwen Sun (swissnex China), and Gabriele Dobenecker (Empa, speaker)

Percy Chen, the controller at swissnex China behind the scenes.

Percy Chen, the controller at swissnex China behind the scenes.

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Internalizing Home Tech

By Percy Chen, Junior Project Manager Art-Science

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On 19 December, the twelfth Café des Sciences: Internalizing Home Tech took place at the Extra Time Café. Vytautas Jankauskas, the Head of Research and Creation at the Chronus Art Center Lab, gave a comprehensive presentation on the history of his projects and the motivation behind his interest in smart home accessories. Grew up in Lithuania, Vytas (short for Vytautas) witnessed the incredibly fast development of internet reach: Lithuania installed its first satellite equipment on 10 October 1991 and today it has already become one of the world’s leaders in terms of public internet connection — a study by the telecommunications company Ooma found that in 2017, while the U.S. averages 6.89 Mbps public Wi-Fi speed, Lithuania has an astonishing average of 15.4 Mbps. This surplus of internet speed made Vytas wonder what else we could do with it besides the ordinary usage of surfing the web.

Vytautas Jankauskas giving his introduction

Vytautas Jankauskas giving his introduction

Vytautas pointing out his childhood home

Vytautas pointing out his childhood home

In 2015, Vytas’s completed his first project How to Build a Water Filter. The project assumes a reality where one’s financial status determines one’s water allowance. Tap water is accessible via dedicated national identity card extensions that come in Basic, Black and Gold versions. A society where independent water filtering is proclaimed unsafe and therefore illegal, giving birth to water hacking. Convinced that natural resources should remain a universal human right, Vytas has built a DIY water filter and published subversive instructional online tutorials, as well as useful tips for avoiding surveillance.

The filter is built from everyday gardening materials, refurbished personal belongings, and several second-hand flea market acquisitions. The filtering mechanism consists of four steps: a slow sand filter, a silk filter, a short-range UV lamp for water sterilization, and raw salts to re-mineralize the treated water.

Although not entirely about smart home devices, in hindsight, it is clear that this passion project showed Vytas’s interests in DIY and hacking as well as in the notions of institutional control and flawed reality.

It is widely known now that everything we do on the internet leaves a footprint. Many people think this is just happening while in fact it has been happening for many decades. For instance, one of the biggest telecommunications company AT&T stores phone records of movements, calls, and texts going all the way back to 1987. What is different today is that our records are parsed and quantified through some black box algorithm to generate personality profiles. Indeed, in a later project Cached, Vytas started to play with this idea and the implications of home tech.

How to Build a Water Filter, 2015

How to Build a Water Filter, 2015

Upon entering a dark, intimate room, the spectator is left alone with a glowing tablet, prompting to log in. Once they have connected, a mirror which at first glance appears to be part of the room’s interior, lights up and greets the spectator by their name. The following experience takes the form of a personalized audiovisual storytelling, to illustrate just how your activities online contribute to the way in which machines see you.

Based on a textual analysis of your social media posts, Cached reveals your character traits, interests and consumer preferences. At the end of the experience, all personal data is erased, and the visitor receives a unique printed receipt containing a summary of the analysis.

Cached, 2018

Cached, 2018

Vytas’s presented a few more sophisticated projects including Somestic Media and works from another duo Arvid & Marie. All the projects are exemplary in the sense that it lets the audiences question their connections to the machines they surround themselves by. Are we the master of these smart home devices? Or are we serving the machines by feeding them data to enhance their profiling on us as well as their artificial intelligence? Additionally, when we take a step back and examine recent technologies, we cannot resist but wonder if they are developed for humans or simply for profit. The audiences at the event raised many similar questions on the relationships between humans and technologies. Some brought up the interesting topic of animal technology — specifically VR gaggles for cows for milk production.

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At the end, we would like to thank Vytautas Jankauskas for his fantastic presentation and all those who were involved in the discussion. We aim to create and share values among our community members and this Café des Sciences was more than informative. Thank you! Stay tuned for our next event.

To view more photos from the event, click here.

Future Lab: Forum on Non-trivial Relations Between Arts, Design & Sciences

By Percy Chen, Junior Project Manager Art-Science

From November 25 to December 1, supported by Pro Helvetia Shanghai, Swiss Arts Council and West Bund, Future Lab Expo took place at Shanghai West Bund Artistic Center. It will be the first of its kind, for its program not only includes art exhibitions, but also live lectures from renowned professors, workshops, performances, and forums.

Moreover, on November 26 to 27, Future Lab collaborated with Fudan Philosophy College to bring together 20 artists and scienctists around the world to discuss the connections between frontier art and experimental science.

Among the speakers, we had Monica Bello, curator and head of arts at the European Organization for Nuclear Research (Cern), Geneava, Switzerland. Her unique position of leading the artistic residencies between artists and hardcore physicists, engineers in laboratory environment makes her the perfect person for the cross-disciplinary discussion.

To her, art and science share something fundamental to human: wonder and curiosity. It is part of our nature to question, to seek out answers, and to improve our understanding. Especially today with how fast and convenient our devices can connect to the world web, all of us are informed of our environment, development trends, global problems, and so on. Art and science thus become a way to create meaning out of information. They are means for us to make sense of our conversations and experience.

In particular at Cern, physicists and engineers are trying to understand the property of matters and the origin of the Universe. The awes, curiosity, and just the sheer emotion to the research of the very thing that enables us to go beyond any particular discipline. This is why and where art and science merge.

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Monica Bello Speech

Monica Bello Speech

The venue was packed with audiences

The venue was packed with audiences

Some very interesting questions were asked, “What fundamentally is human experience?”

Some very interesting questions were asked, “What fundamentally is human experience?”

Live class session with Experimental Art College professors. Next to this classroom was another one with Central Academy of Fine Arts professors.

Live class session with Experimental Art College professors. Next to this classroom was another one with Central Academy of Fine Arts professors.

Future Lab West Bund Artistic Center exhibition

Future Lab West Bund Artistic Center exhibition

Future Lab West Bund Artistic Center exhibition

Future Lab West Bund Artistic Center exhibition

Creative Hub & Yangtze River Delta International Cultural Industries EXPO 2019

By Percy Chen, Junior Project Manager Art-Science

This November, the Swiss non-governmental and non-profit promoting platform Creative Hub was invited to the Yangtze River Delta International Culturual Industries EXPO (hereinafter abbreviated as YRDICIE 2019) to be one of the keynote speakers, introducing the creative industry landscape in Switzerland. As part of the program, swissnex China accompanied Creative Hub to visit the China Industrial Design Museum and YRDICIE 2019.

A brief history of Creative Hub:

Since 2013, Creative Hub has been helping Swiss creative talent to commercialize innovative products and services – economically, ecologically or socially. The goal is to construct an effective market introduction system tailor-made for talented creative minds and the means is to provide them with advanced training, individual coaching modules, networking events, as well as a wide network to other creative institutions and competitions, such as Creative Business Cup Switzerland.

And there is indeed an expansive market for Creative Hub. In Switzerland, the creative industries employ 4,000 people and have around 75,000 businesses - four times more people than agriculture and generates six times more Gross Value Added at an estimated value of CHF 23 billion and turnover of CHF 60 billion.

An introduction for China Industrial Design Museum:

On the outskirts of the city, China Industrial Design Museum is a hidden gem that showcases an entire history of technological and industrial developments in Shanghai. From a small fishermen town to the megacity today, Shanghai has indeed endured an incredibly fast advancement. The museum has over five hundred pieces of relics, from old fashioned bicycles, radios, electric fans, to cameras, and even truck motors.

The meeting between Creative Hub and China Industrial Design Museum went smoothly. In a sense, industrial developments and creative endeavors have a symbiosis relationship. They perfect and propel each other forward. It was also an awesome opportunity for Regula to learn about Shanghai from a more indigenous perspective.

Regula Staub from Creative Hub with Ge Feier, Director at China Industrial Design Museum

Regula Staub from Creative Hub with Ge Feier, Director at China Industrial Design Museum

On November 22 and 23, swissnex China and Creative Hub visited YRDICIE 2019 together. Regula, representing Creative Hub, gave her speech on the general trends in Swiss creative industries as well as Creative Hub’s mission. The insights were refreshing, for it was rare that the audiences could hear first-hand information from Swiss experts. And the popularity of Swiss creative industries came as a pleasant surprise to many.

About YRDICIE 2019:

Open to all, Yangtze River Delta International Cultural Industries EXPO aims to more effectively leverage the important roles of Shanghai and other regions in opening China up to the world, supporting the integrated development of the Yangtze River Delta and making it the national strategy. It invites global leaders in innovation, culture, creative, and academic fields to showcase their processes in an attempt to accelerate local productions: the Expo has attracted more than 870 cultural and art institutions, including museums, libraries, publishing groups, art galleries, design companies, show businesses, and eSports enterprises throughout the delta region, around the country, and all over the world. In the short three days exhibition, YRDICIE 2019 impressively attracted close to 128,000 audiences and accumulated over 5 billion RMB signed deals.

Additionally, the Expo held seven business matching events and fifteen forums on the topic of Global Intellectual Property, Global Culture Output, Foreign Cinema, Future Entertainment and so on to bring local and international corporations closer and provide them with a communication platform.

Regula Staub giving her speech at YRDICIE 2019

Regula Staub giving her speech at YRDICIE 2019

Regula Staub giving her speech at YRDICIE 2019

Regula Staub giving her speech at YRDICIE 2019

Audience asking about Creative Hub’s past projects

Audience asking about Creative Hub’s past projects

From left to right, Prof. Hua Jian form YRDICIE committee; Regula Staub from Creative Hub; Cissy Sun from swissnex China; Zang Qian from YRDICIE committee

From left to right, Prof. Hua Jian form YRDICIE committee; Regula Staub from Creative Hub; Cissy Sun from swissnex China; Zang Qian from YRDICIE committee

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Finally, we would like to thank Regula Staub at Creative Hub for her cordial visit to Shanghai and her fantastic speech. As the time of this blog, Creative Hub and YRDICIE are discussing about a potential collaboration for 2020. Regardless of the result, Creative Hub’s value is proven, and we would like to see it come back to China in the future.

Semiotics through New Media Art

By Percy Chen, Junior Project Manager Art-Science

On November 21, the eleventh Café des Sciences: Semiotics through New Media Art took place at the swissnex China office. Andreas Gysin, Swiss artist, residency artist at Chronus Art Center and Pro Helvetia, thoroughly went over his creations involving “found geometry” and urban signage systems, showing his interpretations as well as reconfigurations of the “signified” and the “signifier”.

Andreas during the Q&A session with audiences.

Andreas during the Q&A session with audiences.

Andreas’s works strike a balance between familiarity and the uncanny. For instance, one of his early pieces tilts a traffic sign for 45 degrees. At first glance, it is insignificant work. Yet, it is this subtle disconnect between the sign we used to know and the sign as it appears in Andreas’s work that motivates us to question: “why is it tilted?”; “what is it that the artist tries to accomplish?”; and eventually, “why does the sign appear as it was in the first place?'“

Compared to contemporary modern art that employs abstraction and dramatic impressions, Andreas’s works are far easier to approach. If the former is rocket science that inspires people, then the latter would be a practical tip for a math problem that we have been struggling to solve. Each of Andreas’s works functions as a small glitch in the matrix, reminding us of the present and decelerating us from the constant fall into banality.

As of today November 22, we have exactly 40 days until 2020, a brand-new decade. In the past 5 years, digital technology has been growing at an unbelievable, exponential rate. Regardless of what one thinks of technology, we are entangled in this inevitable information revolution together - more social media integration, surveillance, and smart devices have yet to come. Already hooked up to smart phones, we will be even more inclined to live behind the “glorious” facade of digital reality.

Therefore, a glitch in the matrix is something we need to seize, a reminder of reality we ought to accept and embrace.

Andreas presenting one of his traffic sign pieces.

Andreas presenting one of his traffic sign pieces.

Audiences are especially interested in Andreas’s digital works.

Audiences are especially interested in Andreas’s digital works.

At the end, we would like to thank Andreas Gysin for his fantastic presentation and all those who were involved in the discussion. We aim to create and share values among our community members and this Café des Sciences was more than informative. Thank you! Stay tuned for our next event.

To view more photos from the event, click here.